year: 1986
instrumentation: piano duet
published: Waiteata
Music Press
commissioned by: Music
Federation of New Zealand (now Chamber
Music New Zealand)
recording: on Waiteata
Collection of New Zealand Music Vol. 6 - Composer Portrait: Jack Body
At certain times in life one feels the need to do or
create something flashy. My Epicycle
for string quartet of 1989 is one such piece, and my Three Rhythmics;
for piano duet another. But virtuosity comes with a price - the work was rejected
by the two pianists for whom it was first written, and has been a cause for
complaint by the several duo pianists who have tackled it since. Indeed the
style of virtuosity explored here is mechanistic, rather than Lisztian, and
perhaps I am justified in presenting here a computer version as a kind of "model";
performance; the last movement is labeled "Nancarrowesque"; and perhaps that
is the apt precedent to cite! But the several, albeit imperfect, live performances
that I have heard have always been exhilarating; and so, perhaps, its demands
do, after all, produce rewards?
The first movement of this piano duet alternates between double handed tremolando and repeated rhythmic cells that change relationship
to each other, with some hand-clapping thrown in for good measure. A short interlude
begins with a free, parlando style that gradually transforms itself into a metrical
rhythm. The last movement pits the two performers against each other in an unstoppable
flood of sound.
Three Rhythmics, commissioned by the Music Federation of New Zealand
(now Chamber Music New Zealand),
was premiered by Diane
Cooper and Dan
Poynton.
click here
for Three Rhythmics at SOUNZ